Aldwych, British, Modern Restaurant Guide

2022 Review: This independent fixture in legal-land (near the LSE) is a long-running staple of the area – welcoming, “always good value”, and with some interesting picks and bin-end deals on the wine list.

“A very good pre-theatre meal” makes this mezzanine spot in a luxury hotel near Covent Garden a particularly useful option for eating around a show. It’s also “great for those who are gluten or dairy free”, and “the children’s chocolate-themed afternoon tea themed on Charlie & The Chocolate Factory is absolutely great”. Any downsides? It’s “a bit noisy”.

2021 Review: “Surprisingly good food and charming service” make it worth remembering this historic hostelry (refurbed in recent times), near the Royal Courts of Justice. You can eat in the ground floor bar, or in the upstairs ‘Pig and Goose’ restaurant.

With “light streaming through the windows”, this “big, airy space in Somerset House” is “such a beautiful dining room”: “not cosy” but “very elegant” and with “luxuriously spaced” tables, it’s a really “great choice for an intimate conversation”. Skye Gyngell’s cuisine “is not in-yer-face gastro, but simply thoughtful, beautiful and heartwarming”; and together with the “personal” service it adds up to a “delightful” overall package. Top Tip – “the set lunch and early bird ‘scratch’ menus are good value” (utilising food that would otherwise be wasted).

2021 Review: Promising, if limited, early feedback on this modern ‘wine parlour’ – recently opened by wine expert Andrew Gray (a merchant with a business at the Southbank Food Market) on a corner-site near Covent Garden (the erstwhile office-space of a Mr Charles Dickens); and with an excellent list of 70 wines: “limited food, but what they do is lovely; tiny space, but it’s gorgeous, and well worth a visit, especially as staff are so lovely”.

2024 Review: Robbie Lorraine has upped sticks from Brixton with his Del Boy-inspired pop-up – a witty, multi-course trip back in time to the cuisine of the 80s and 90s (duck-liver paté, prawn cocktail…). This new home is part of a Grade II listed pub just off the Strand: not to be confused with Ye Olde Cheshire Cheese on Fleet Street, which is about ten minutes’ stroll away (although both claim Dickens as a former patron). No survey feedback as yet – reports please!

This “big, buzzy faux-Parisian brasserie” in the heart of Covent Garden certainly looks the part, but it “can get very busy” and “extremely noisy” as a result. It provides “lots of classic French cuisine”, but with very mixed results: fans say it’s “executed pretty well” but reviews overall are often jaundiced – for example: “dull food, impossible to chat… really bad experience and a ridiculous bill”.

Three years on from a relaunch under its original name by Gordon Ramsay (it was formerly Kaspar’s), this elegant chamber with Thames views from the window tables has yet to regain the lustre it enjoyed before the hotel relaunched in the noughties. It’s not devoid of fans, but too often its cooking (of mainly fish and seafood) is critiqued for being “overpriced (and in some cases overcooked or over-sauced)”. Sceptics say Big Sweary’s name above the door is a saving grace – “if it wasn’t a Ramsay restaurant they’d struggle”. Top Tip – a good choice for a posh brek.

What does it say about the culinary tastes of the British middle classes that this spin-off chain, with about 40 locations based on the original Theatreland icon, has been such a rip-roaring success? True, there’s some “great people-watching” at the “always buzzing” Chelsea Garden venue (which has one of SW3’s best gardens). And, without doubt, those branches in Kensington, Tower Bridge and Kingston also particularly stand out amongst the rest for their “super atmosphere”. In general though, the knock-off look of their locations “isn’t a patch on the original on West Street, yet pretends to be exactly the same”. And when it comes to their brasserie dishes: although its many followers tout them as “acceptable, albeit nothing special”, their rating-average identifies them as “underwhelming tick-box fare”; all offered by service that’s very “indifferent”. And yet they are “always busy”! In June 2024, it was announced that billionaire Richard Caring had successfully sold his entire Ivy restaurants stake. Now that he is laughing all the way to the bank, it will be interesting to see if ratings reverse, continue or deepen their southward trend.

This “super-cosy”, “chic and friendly restaurant is very welcome” in Covent Garden, “an area of chains and tourist traps” – with a “simple menu” of ‘elevated comfort food’, it’s “hard to beat for an early pre-theatre meal”. Named after a mid-Victorian courtesan who learned her trade nearby (although she made the big time in Paris), it is the younger sibling to Kitty Fisher’s (see also).

2022 Review: The former HQ of the Baptist Church provides the gracious quarters for this swish Holborn hotel, converted by design guru Jacques Garcia. Since Tony Fleming left in December 2019, the main food operation (formerly known as The Baptist at L’Oscar hotel) has shifted to this all-day ground-floor operation offering a more accessible, Parisian-café-style menu from breakfast through to dinner. Allan Pickett (former head chef at Orrery, and briefly chef-patron of Piquet) is the new head chef.

“The go-to place to celebrate a special anniversary” – this “enchanting” Covent Garden haunt is “magical for a special occasion or simply a treat”; and is yet again voted Londoner’s No. 1 choice for a hot date in our annual diners’ poll. If possible, try to book a table in the “beautiful flower-filled conservatory”, where there’s an opening ceiling in summer and a log-fire in winter: “upstairs, the cosy and intimate dining rooms have a whiff of that atmosphere (e.g. similar white flowers across the ceiling) but are perhaps for more mature relationships!”. While not its USP, its French cuisine is by no means incidental – “beautifully presented and bursting with flavour”; but it is upstaged by the wine list, which is “a rival to ‘War and Peace’ in length”. Service that’s “extremely helpful and very welcoming” caps off an impressive all-round performance. Top Tip – “the weekday set lunch is astonishingly good value for such cooking, particularly as it also offers a small carafe of well chosen wine for a pretty modest supplement”.

2022 Review: “The set menu is good value” at the National Theatre’s most salubrious in-house dining option, so it’s “always reliable” as a pre-show pit-stop. But critics would welcome a bit more ambition, saying the current effort is “a wasted opportunity” given the site and its captive audience. Top Tip: “the waiters are always a good source of play reviews”.

2021 Review: For some reporters, the National Theatre’s “brisk” in-house diner delivers on the “plain good food near the theatre” you’d hope for, so “it’s a shame” that the “food is complacently ordinary” for too many others to make it a reliable recommendation. Top Tip – “best when you can sit in the garden”.

Founded in 1895 in Paris, the famous ‘Le Cordon Bleu’ culinary institute hit London in 2012 in Bloomsbury; and then opened here in the Lutyens-designed former Reuters HQ in 2022. All reports agree this in-house restaurant is “a beautiful room” – “light and well spaced” – if occasionally “lacking a bit of spark”. Service is “correct” and the modern European menu focuses on “seemingly simple dishes”, whose “realisation ranges from exemplary refinement to the merely satisfactory”.

Quirkiness in spades is the particular appeal of this Dickensian watering hole – London’s oldest wine bar, whose best tables are in a superbly ancient candle-lit cellar which originally housed wine shipped to its front door by barges on the Thames. But in summer its outside comes into its own, boasting as it does a huge terrace adjoining leafy Victoria Embankment Gardens. “It has a very good wine list” – while the cold food is somewhat incidental: “a simple menu of quality ingredients” majoring in cold cuts and cheeses. Fun fact: it’s owned by entrepreneur Simon Gordon (the place was already called ‘Gordon’s’ when he bought it), who owns the increasingly ubiquitous Facewatch anti-shoplifting software, which was originally developed to stop thefts at the bar.

“The magic has gone” for many critics of this Theatreland icon whose ‘chainification’ under Richard Caring (who put the Ivy group he created up for sale for £1bn in January 2024) has reduced this original site to “living on its past celebrity status”: “everything is slightly better than at the café and brasserie spin-offs found in humdrum regional shopping centres and other backwaters… but not much”. It’s certainly “a lot easier to book than it used to be” – the A-listers are long gone and “the clientele seems less highbrow, with more sportswear and baseball caps”. But – to be fair – its ratings are middling, not terrible; and many diners feel that “while not as special as it once was, we still enjoy it”. Though more “corporate” in atmosphere, it still has a “beautiful interior”; service is “a little bit patchy” at times, but mostly gets it right; and the menu of “British classics with a smattering of Continental and Asian dishes” – never the prime attraction – is “acceptable”. Top Tip – “Can’t go wrong for a business lunch” that’s “reliable if nothing special”.

It’s “all about the wine, as you might expect” at James Dawson’s “relaxed” wine-bar group, whose branches boast a “splendid list” of “high-quality and well-sourced” bottles. The food is very much “second fiddle”, though “unobjectionable”, while the most interesting venue is the original one, off Fleet Street, “hidden in the vaults of St Bride’s Church”. Top Tip – “go on a Monday night for wine at shop rather than restaurant prices”.

“OK, but I have always thought it too expensive” is sadly one of the more enthusiastic reports we received this year on this South Bank landmark, whose “great views” over the Thames and St Paul’s are less of a rarity than when it first launched in 1996 with the opening of so many rooftops nowadays. Over three-quarters of feedback here are nominations for either ‘most overpriced’ or ‘most disappointing’ meal of the year in our annual diners’ poll. The modern British menu is too often judged “expensive and tasteless”, which it shouldn’t be when a bowl of chips costs £9. “It’s so disappointing because its great views and location should make it a fantastic restaurant”. “A tourist trap if ever I’ve seen one”.